Friday 23 January 2015

Drawer Manuscripts - Why I Don't Believe in Them (and How to Fix Them)

Be free, drawer manuscript! BE FREE!
image from pixshark.com
 
    Almost any author you talk to, whether they've published 1 book or 10, or even none at all, will tell you - perhaps some more willingly than others - about their drawer manuscript, sometimes affectionately referred to as something like 'the book that never was' or 'that monstrosity that languishes in the bottom of my sock drawer and snarls threateningly whenever I open it'.
    Basically, drawer manuscripts are books that were written - or at least started - and put away. Maybe they didn't get much farther past the first draft before the author realized they weren't working, or maybe they grew up more before they got to the 'nopenopenope not happening' point. Maybe they even spread their wings, leapt into the great unknown of the querying stage, and then epically faceplanted. Or perhaps they survived the query stage and flew off into the great big world to find a publisher... and smacked straight into a window. Either way, a novel that never really took off and got finished is usually classified as a drawer manuscript.
    I don't believe in them.
    Maybe it's naïve. There are probably people reading this and shaking their heads slowly, smiling wistfully as they remember the days when they thought that, too. But I honestly do not believe in drawer manuscripts. I believe there may be novels that need to be set aside for a time in favour of another project, so the writer is not being bogged down with a fledgling idea and they have time to allow inspiration to come on its own while another, currently-better-developed idea takes the most part of the writer's efforts and attention. But there's never an idea that's so bad it has to be stuffed away, never to see the light of day. It might not be all that similar to the original idea by the time it's all done, but it's still fixable.
    In my opinion, there is no novel that can't be fixed. Even the first manuscript, which some people think should never, under any circumstances, be released into the world (some people say this is the Golden Rule of Writing), can be fixed. It may take years, and it may not be the first novel you publish, but - unless it's fanfiction, although you could argue that an alternate universe fanfiction could be adapted into something original with quite a bit of work - chances are it's fixable.
    That's not to say that every idea you ever start writing should be fixed and sent out into the world.  Maybe you bit off more than you can chew with the plot; it's alright, either trim it to something more manageable or set it aside until you've worked out the problems and/or gotten some more experience under your belt and you feel ready for it. 
    Maybe you found a novel exactly like yours already published. It's okay. Everyone does things differently. If your novel and the published one are both about young boys named Harry who learn they're wizards and go to a school for wizards where they have many adventures and eventually defeat dark wizards, well, maybe you might want to do some serious changes. But maybe your novel will evolve into something even better. If your book and the published one are both about, say, teenaged girls growing up in suburban neighbourhoods and learning to deal with the struggles that come with becoming an adult, well, there's a lot of ways to do that. Unless you read the book or a summary of it and find that your character goes through the exact same trials and tribulations, don't give up. Chances are, your end product will be miles away from the published book. Never assume that just because your idea is similar to someone else's that it's no good.
    Or maybe you've written a book that was trendy (let's say a vampire book), and you query it around and maybe you get an agent or maybe you don't, but either way the general consensus is that you missed your chance. The fad is over. No one wants to buy your novel now. So what do you do? There's a few choices: keeping trying, wait, adapt it, or self-publish. If you're trying to jump on a fad, the best thing to do is make the fad new. Breathe new life into it. Make your own interpretation. Make it yours. Hopefully, you already did that. If you did, then you could just keep trying to query. There just might be an agent out there who's still willing to take a look. Or you can wait until the fad dies down and query it around again. It's not a guarantee that you'll be able to find someone for it, but there's a chance. Your third choice is, of course, to adapt it. Change it up a little. Turn vampires into something new, into a creature of your own design, or find another way to change up the plot and make it into a new creation. The last choice is, of course, self-publishing, but I don't really recommend this route. If you've had people say the book is good (and I don't mean your best friends and your family like it, but if agents or editors or reliable beta readers have said it's a solid novel), and you don't mind the risk of losing money (you have to pay for editing, formatting, cover, etc.), then by all means, go for it.
    You might also realize that your novel just isn't working. Maybe you realized it was too much for you to do right now - too many characters or subplots or what have you. You've got a couple choices for this one too. You could set it aside and get some more experience or do some more research until you feel comfortable about writing whatever you were struggling with. Or you could recycle the characters or ideas, which leads me to my next point.
    You might just decide you don't like your current project. You might have a specific reason, or maybe you don't. Maybe you just lost your passion for it. If that's the case, give it a while. Work on something else. If you still have no passion or inspiration, then move on. What I recommend is recycling. By that, I mean taking your favourite characters, ideas, subplots, what have you, and migrating them to a new project. They may go into your 'To-Be-Used' folder (or as I like to call it 'The Shelter for Storyless Characters and Ideas') for a while, but think about them. Then, when you get inspiration, bring those characters or ideas over and see if they fit. Maybe you'll have to split up characters who were originally together into more than one novel. I've done it before (although I also have small groups of characters - never more than two or three, because more gets complicated - that absolutely cannot be split up. So they stay together. In fact, two of the characters in the novel I'm rewriting bounced around about four or five different projects (the plots and other characters of which are tucked safely away for future reference) before they found a home. The novel I recently started always had the same cast, but went through about six plot and genre changes before I settled on what I currently have.
    So what all of this adds up to, basically, is that any manuscript can be fixed, if you're willing to put in a lot of hard work. Of course, maybe you just don't want to fix it. If that's the case, sure, throw it in a drawer. Recycle the ideas or characters or store it away and come back to it when you feel more like it. But the one thing you have to do: even if you're upset about a manuscript that didn't get published or an idea that didn't work out, keep writing. While you're looking for the inspiration to fix your manuscript or idea or character or whatever needs fixing, keep writing. Work on a new project, or write a short story, or anything. Just always keep writing. And never give up.

Monday 5 January 2015

January Book Review: Lockwood & Co.: The Screaming Staircase by Jonathan Stroud

Note: there are different covers, all of them awesome, but for the sake of space I put the one from my copy of the book here
Book stats (from Amazon:)
  • Hardcover: 400 pages
  • Publisher: Disney-Hyperion (Sept. 17 2013)
  • Language: English
  • ISBN-10: 1423164911
  • ISBN-13: 978-1423164913

  • Amazon rating: 4.7/5 for hardcover, 5/5 for paperback
    Goodreads rating: 4.2/5

    Summary (from Amazon):
    A sinister Problem has occurred in London: all nature of ghosts, haunts, spirits, and specters are appearing throughout the city, and they aren't exactly friendly. Only young people have the psychic abilities required to see-and eradicate-these supernatural foes. Many different Psychic Detection Agencies have cropped up to handle the dangerous work, and they are in fierce competition for business.

    In The Screaming Staircase, the plucky and talented Lucy Carlyle teams up with Anthony Lockwood, the charismatic leader of Lockwood & Co, a small agency that runs independent of any adult supervision. After an assignment leads to both a grisly discovery and a disastrous end, Lucy, Anthony, and their sarcastic colleague, George, are forced to take part in the perilous investigation of Combe Carey Hall, one of the most haunted houses in England. Will Lockwood & Co. survive the Hall's legendary Screaming Staircase and Red Room to see another day?

    Readers who enjoyed the action, suspense, and humor in Jonathan Stroud's internationally best-selling Bartimaeus books will be delighted to find the same ingredients, combined with deliciously creepy scares, in his thrilling and chilling Lockwood & Co. series.


        I chanced upon this book one day and picked it up, thinking it looked interesting. It was more than interesting, to tell the truth. Honestly, I fell in love with the world and its characters. From the hilarious humour to the unique ghosts, it was an overall amazing book.
        This book is classified as Young Adult. It is written in first-person, from the perspective of Lucy Carlyle, a 15-year-old girl and former Agent. Without going into too many details and spoiling the book, Lucy didn't have a very good end to her former job as an Agent, and has a bit of trouble learning to trust herself and her instincts again. Lucy is quite unlike many female protagonists in current YA novels. She doesn't concern herself much with romance and the like (although I think I speak for more than a few fans in saying that Lucy and Lockwood would be a perfect couple. Seriously.) There's a few little hints of a potential relationship between the two, but we'll just have to wait and see I suppose.
       Honestly, this was one of the freshest takes on a ghost-hunter novel that I've ever seen. It's a ghost story at its heart, yes, and it has the right amount of spookiness and tension for that. But it's also a mystery - both the mystery of how one of the ghosts that is dealt with in the novel ended up dead, and also a good few other mysteries. What happened in Combe Carey Hall? And what is in that private room next to Lockwood's bedroom? This book comes with a glossary of different types of ghosts (they're organized into three categories: mostly-harmless Type Ones, dangerous Type Twos, and perhaps non-existent Type Threes, rumoured to communicate with those who have a strong Talent for Listening), but within those three they're categorized into smaller types, such as Shades, Lurkers, Phantoms, and more. I could honestly go on and on about the intricacies of the world Stroud created in these books, from the similarities and differences to our modern world, to all the different ghost hunting equipment the agents use, to Lockwood & Co.'s rivalry with the other, larger agencies in London. Of course, if I do that, this review will be about 20 pages long and it's only a matter of time before I slip up and spoil something. So I'll move on.
        My absolute favourite part of this novel, although I do love the ghosts and the tension of the conflicts with both ghosts and outside forces, is the relationships between the three main characters: Lucy Carlyle, Anthony Lockwood, the charismatic teenage owner of the agency, and George Cubbins, the portly, studious, yet sometimes insufferable, researcher. The interactions and dialogue between these three is hilarious at times, but also heartbreakingly sincere at other times. I won't go into too much detail, to avoid spoilers, but you can tell that as much as these characters love to get under each other's skin, they really do care about each other.
        Oh, and the best part? This is going to be a series. No word yet on book three, but book two (Lockwood & Co.: The Whispering Skull) is already out, and it ends on quite a bit of a cliffhanger so I think we can look forward to a third book in this wonderful series!
       Overall, a great book for anyone who likes ghost stories. 5/5 stars!

    Thursday 1 January 2015

    New Year's Resolutions

        First: Happy New Year to all! (and to all a good night - wait that was last week my bad.)
        I never really was one for New Year resolutions, mainly because I could never think of anything particularly good. But this year, I decided it was time to come up with one. So I did. Actually, I came up with two.
        The first: Finish the rewrite of my current novel by March, and have it edited and ready for querying by mid-summer or fall.
        The second: Commit more time to the blog. So, in order to do that, I have decided on monthly book reviews/recommendations! (read this next line in a dramatic, TV-announcer voice) That's right, folks, every month I'm going to be recommending and reviewing a book! As I am a Young Adult author and it's what I primarily read, I am probably going to stick in that general category, but you never know.
        Now, I'm not going to say what the first book I'm going to be recommending/reviewing will be, to keep the anticipation high, but I can tell you that I loved reading it and I'm looking forward to writing the review!
        I'm hoping to have the reviews posted on a fairly regular basis - that is, around the same time every month. I'm aiming for the first Saturday or Sunday of every month, but that's subject to change a little based on my schedule (although I will write them in advance and schedule them to post on the right date if I know I will be busy).
        Here's hoping 2015 is your best year yet!