Saturday 1 October 2016

September Book Review: How to Hang a Witch by Adriana Mather


Summary (from Amazon):
Salem, Massachusetts is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials and almost immediately, she becomes the enemy of a group of girls who call themselves The Descendants. And guess who their ancestors were?

If dealing with that weren't enough, Sam also comes face to face with a real live (well technically dead) ghost. A handsome, angry ghost who wants Sam to stop touching his stuff. But soon Sam discovers she is at the center of a centuries old curse affecting anyone with ties to the trials. Sam must come to terms with the ghost and find a way to work with the Descendants to stop a deadly cycle that has been going on since the first accused witch was hanged. If any town should have learned its lesson, it's Salem. But history may be about to repeat itself.

Book Stats (from Amazon):
  • Hardcover: 368 pages
  • Publisher: Knopf Books for Young Readers (July 26 2016)
  • Language: English
  • ISBN-10: 0553539477
  • ISBN-13: 978-0553539479
  • Amazon rating: 5/5 stars
  • Goodreads rating: 4.05/5 stars

  •     This is an incredibly unique book in my opinion. Not only does it focus on a subject I've never seen explored in fiction before (I'm sure there are other books on the Salem Witch Trials; I've just never personally seen any), it's written by an actual descendant of a real-life historical figure. I've always found the Salem Witch Trials fascinating, and so when I found this book at my local store I was bound to get it.
        I will admit, this book may not be for everyone. It does fall prey to the love-triangle cliché, but I didn't find this distracted from the main plot. One of the things I've found other people say about this book is that they find the main character, Sam, irritating, but I found her no more annoying than any other YA protagonist I've read, regardless of gender. In all honesty, almost any YA book you read reviews of, someone will say they find the protagonist 'whiny' or some other variation of that. If you ask me, Sam wasn't much whinier than one would expect given the situation she was in - without spoilers, dealing with a ghost, a curse, an extremely ill father, guaranteed enemies and uncertain friends.
        This book balanced spooky, dramatic, original, and fun perfectly. The characters were quirky and fun, the plot was riveting, and the historical context only served to make it even better. I have to say, I still can't think about this book or anything to do with the Salem Witch Trials without remembering the time I accidentally brought my t-shirt from Salem to wear for gym class at a very conservative school and had to wear it inside out to avoid the awkward explanation (probably an overreaction, but that's beside the point). I believe the shirt was from the prison in Salem; I remember it was dark red, and had a witch on it with the caption 'I did my time'.
        I'm not sure there's much more I can say about this book without spoiling it. I will say there are some extremely unexpected plot twists, and overall the entire book is a roller-coaster ride that's almost impossible to put down. I'd recommend it for anyone 13-14 and above, as there is some dark material within it, but as always it's up to you what you think you can handle.
        5/5 stars!

    Saturday 13 August 2016

    July Book Review: The Cursed Child by J.K. Rowling, Jack Thorne, and John Tiffany

    Book Stats
  • Hardcover: 336 pages
  • Publisher: Scholastic Inc; Special Rehearsal ed. edition (July 31 2016)
  • Language: English
  • ISBN-10: 1338099132
  • ISBN-13: 978-1338099133
  • Amazon rating: 3.4/5 stars
  • Goodreads rating: 3.98/5 stars

  • Cover Blurb
    The Eighth Story. Nineteen Years Later.
    Based on an original new story by J.K. Rowling, Jack Thorne, and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage.  The play will receive its world premiere in London's West End on July 30, 2016.
    It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.
    While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted.  As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

    My Review
        I struggled with whether or not to write a review of this for a few days after I read it. To be honest, I'm certain this review is not at all objective. I love Harry Potter, and have since I was in elementary school - my sister tried for ages to get me to read it, and I wouldn't, until finally she brought me with her to see one of the movies in theatres (I did watch them out of order, I'm sorry!). I fell in love with the story and the characters and the world instantly, and devoured the books immediately afterward. As soon as I finished the seventh book, I was longing for a story about the next generation - was The Cursed Child what I expected? Not quite. Did I enjoy it? Yes.
        To avoid spoiling as much as possible, this story is probably not what you'll expect. The style itself is very different from Rowling's usual style, but that's to be expected since it's a script. The characters don't really behave like you might expect either (looking at you, Harry). The plot itself is complicated and has more than one 'oh what the heck' moment, but it's also very original and I found it interesting.
        I was surprised by how much I actually liked Scorpius Malfoy, as well. I thought he would be more like his father (or worse, his grandfather), and I was actually quite happy he wasn't. Albus Potter was a lot like I was expecting, however; he's a lot like his dad. Beyond the new generation, I was happy to see the other characters, like Hermione and Ron, in action as well. Finding out Hermione was Minister of Magic was awesome; it actually felt like seeing an old friend get a much-deserved job.
        My major problem with The Cursed Child is that there wasn't enough of it. I would have loved to see more of the other kids and learn more about them. Of course, if I had my way J.K. Rowling would write a seven-book series about every single one of the next generation, and maybe some spin-offs about other characters from the original series, and I'm sure many of my fellow Potter fans will agree with that sentiment. In a way, though, I think I understand why Rowling didn't include all of the characters in the play - one, the stage would be horrifically overcrowded and the plot was too convoluted, and two, this way it allows the fans to continue to develop their own theories and ideas about the characters without too much being set in stone.
        Overall, I enjoyed this story as a continuation to the Potter series. It wasn't perfect, of course, but I'm such a die-hard fan that almost nothing could be enough for me.
        4/5 stars!

    Thursday 30 June 2016

    June Book Review: The Knife of Never Letting Go by Patrick Ness

     
    Book stats (from Amazon):
  • Paperback: 512 pages
  • Publisher: Candlewick; 2 edition (July 22, 2014)
  • Language: English
  • ISBN-10: 0763676187
  • ISBN-13: 978-0763676186
  • Amazon rating: 4.1/5 stars
  • Goodreads rating: 3.95/5 stars

  • Summary (from Amazon):
    Todd Hewitt is the only boy in a town of men. Ever since the settlers were infected with the Noise germ, Todd can hear everything the men think, and they hear everything he thinks. Todd is just a month away from becoming a man, but in the midst of the cacophony, he knows that the town is hiding something from him -- something so awful Todd is forced to flee with only his dog, whose simple, loyal voice he hears too. With hostile men from the town in pursuit, the two stumble upon a strange and eerily silent creature: a girl. Who is she? Why wasn't she killed by the germ like all the females on New World? Propelled by Todd's gritty narration, readers are in for a white-knuckle journey in which a boy on the cusp of manhood must unlearn everything he knows in order to figure out who he truly is.

        I honestly have no idea how this book was published all the way back in 2008 and I'm just discovering and reading it now. I absolutely love this novel. I was recommending it to a friend of mine, and the exact text I sent him was "so I'm reading this book called the Knife of Never Letting Go. It hurts my soul. You should read it." Having read that sentence, you could in theory click out of this webpage right now and still get the general gist of what I'm going to be saying about this book. I'd like for you to stick around for the rest of it, but in general that's what you need to know about this book. There will be minor spoilers beyond this point, but nothing that will ruin the story for you.
        This was one of those books that reminded me of the way I used to read when I was a kid, when I'd get totally sucked into a story and barely be able to put the book down until I'd finished it. When I finished this book, in fact, I went straight to the nearest bookstore only to discover they had a copy of the third book, but not the second. I could have just bought it on Kindle, but since I started the series in hardcopy I wanted to finish it the same way. Naturally, there was no other choice but to call my dad and get him to go to the bookstore near his office on his way home, and then drop the books off to me. Which he actually did, which was pretty awesome.
        This book is definitely a stay-up-too-late, reading-under-the-covers story. The plot is amazingly well-done, and I didn't find it lagged at any point. The Noise itself was an incredible addition to the story and both simplifies and complicates the plot. It's both fascinating and sinister, and overall incredibly fresh and original. The other worldbuilding, too, is masterful, and the backstory and information about the world is woven beautifully into the plot with very little info-dumping. And the plot twists. The plot. Twists. I saw the 'big reveal' coming ahead of time, but seeing Todd's reaction to it still crushed my heart. I have to fight to avoid spoiling right now, but in all honesty no matter how well you think you know what's coming and how well-prepared you think you are for it, nothing could prepare me for how much it would hurt to see Todd's world crashing down around him.
        Part of this attachment I quickly developed to Todd was, I think, due to the unique style Ness uses. Todd is a mostly-illiterate farmboy, with little knowledge of reading or writing, and this is conveyed well throughout the novel without being distracting from the main story. For example, creatures becomes creachers, and words ending with -tion end with -shun. I, for one, didn't find this at all distracting from the main story and I felt it added more to it. We truly see the story through Todd's eyes, and the unique spelling and grammar choices really draw the reader further into Todd's worldview.
        Todd wasn't the only character I found myself bonding with. Manchee was another, but he's an adorable dog so it's basically a given that I'd love him. To be honest, I didn't really even like Todd when he's first introduced. He was rude and gruff and mean to poor Manchee, but at the same time I found myself relating to him. His frustration and confusion is tangible and completely understandable, and his behaviour, while sometimes exasperating, makes sense for the circumstances. Todd is one of my favourite characters I've read in a while, and once Viola really develops more as a character later in the novel, she is also a very relatable and likeable character. Also, perhaps the unpopular opinion here, but for some reason I really love Cillian. I'm not sure why, but I took an immediate liking to him, which as I've said before, is like cheering every time your child is onstage in their school play even though their role is Tree #4. All of the characters in this book are incredibly lovable and relatable, and as a result they will all break your heart repeatedly.
        Overall, this story and the accompanying trilogy are all amazing book. The story will suck you in, completely crush you, and then scrape you up off the ground and force you to keep reading. They can be a bit dark at times, so I'd recommend it for someone 14 and up or a bit younger if they're mature and can handle it. Other than that, I recommend this series to anyone who loves good characters, an original world, and a whole lot of soul-destroying plot twists.
    5/5 stars!

    Tuesday 31 May 2016

    May Book Review: Mosquitoland by David Arnold


    Book stats (from Amazon):
    • Hardcover: 352 pages
    • Publisher: Viking Books for Young Readers (March 3 2015)
    • Language: English
    • ISBN-10: 045147077X
    • ISBN-13: 978-0451470775
    • Amazon rating: 4.2/5 stars
    • Goodreads rating: 3.9/5 stars

        To be honest, I haven't enjoyed a book as much as I enjoyed Mosquitoland in quite a while. I'm a sucker for a good literary, coming-of-age style novel. Don't get me wrong, I love genre fiction too, but there's just something about the (somewhat) realistic stories that get me every time.
        Mosquitoland's protagonist is a 16-year-old girl named Mary Iris Malone - but only her mother calls her Mary. Everyone else calls her Mim. I'm going to come right out and address it - a lot of the other reviews I've read of this book claim Mim doesn't exhibit enough growth by the end of the book, claiming she's still too judgemental and hasn't seemed to have learned a lot. I don't think this should be a detriment to the quality of the book, however. Mim learns the important lessons about herself and her family that she needs to learn, and if she isn't completely 'cured' of her tendency to be rude/blunt and a bit judgemental, I think this makes it more realistic. In my opinion, it just isn't realistic for a teenager to suddenly learn their entire worldview is wrong and change it. Mim drastically changes her opinions of her family and many other people by the end of the novel, and as such I think she displays as much character growth as can be realistic for a teenager.
        I think, overall, Mim is a great character. She's a little rude at times, sure, but she's also immensely entertaining, loyal to her friends, and determined to accomplish what she set out to do. To be honest, I related to her almost immediately - I don't have a single doubt that I'd run across the country too if I thought there was something wrong with my mother and I wasn't there to help her. Mim is one of those people who says what many people are thinking; she has the comebacks, humour, and mannerisms that most people wish they could come up with or would have the guts to say out loud. She has some strange quirks - for example, her 'war paint' - but I think this served to make her more relatable and contributed to her character development (I can't go into too much detail without spoiling, but the 'war paint' I think symbolizes how Mim is still holding on to some idealized version of her mother, which makes sense in light of the ending).
        I really liked the other characters too. Walt especially was a great character, although I wish he'd had a bit more 'screen-time' and been developed a bit more. Two of my absolute favourite characters were Albert and Ahab, even though they are only in one chapter - it's a bit like being that parent who cheers every time their child is onstage in their school play, even though they're playing Tree #4.
       It's difficult to discuss the plot without spoiling, but I love the 'road trip' story, especially with quirky and unique characters, and I think this plot had just the right amount of twists to keep it interesting. The way the narrative switches from a traditional format to Mim's letters to Isabel from time to time is also really interesting and helps provide backstory and more internal monologue without breaking up the flow of the story too much.
        Overall, this story is definitely not for everyone. There probably are a few elements that will offend some people, and some elements that are quite dark, but I'd recommend it to anyone age 14 and up.
        4.5/5 stars!

    Wednesday 11 May 2016

    April "Book Review": Two of My Favourite Childhood Series



        In lieu of my usual book review, I decided to do something a little different for April. I'm going to be talking about two of my favourite book series from my childhood and how they affected me as a writer and a person.You may have already heard of them, or maybe they're new to you, but I'm hopeful you'll find a new series that interests you, or maybe go back and reread some of your old childhood favourites.

    The Artemis Fowl Series by Eoin Colfer


        These books were a huge part of my life for years. I literally obsessed. I still have all of them lined up in order on one of my bookshelves, along with the companion book and the graphic novels. I wore a tinfoil helmet (which I decorated with paper and packing tape) around my house for years, because one of my favourite characters, a genius centaur named Foley, wore one.
        I think this series was one of the first times I remember myself honestly falling in love with a character - not the usual, fangirling, 'OMG I could marry this character' sort of falling in love. I don't really know how to explain it, other than that I just felt I really connected with these characters. To be honest, I'm not sure why my parents weren't more concerned about their daughter running around in tinfoil helmets and empathizing with a preteen/teenage criminal mastermind, but there we go. The more I think about it, the more I cringe at how creepily utterly obsessed I was with this series, but that's coupled with a feeling of nostalgia and I may end up binge-reading all of the books at some point in the near future.
        For the sake of this not becoming an incoherent fangirlish ramble, I'll refrain from telling anymore stories about how obsessed I was with this series, and try to explain how I think it's affected me as a writer. I think the biggest effect it had on me was the love it gave me for antiheroes. Don't get me wrong, I love the good-hearted hero, but I've always had an affinity for the darker, less obviously 'good' heroes - usually referred to as antiheroes. I didn't really realize the source until I started working on this post, actually - but when I think about it, it makes perfect sense that Artemis Fowl would have been the beginning of this. Another thing I absolutely loved about this series and wanted to emulate was everything the way Colfer works magic into the realistic world he builds in his novel. Everything about it seemed believable - even if it's impossible, it still makes logical sense that it could be happening.
        Overall, this series is one of my all-time favourites, and I would (and do) recommend it to anyone who loves a good fantasy story with a bit of sci-fi mixed in.

    The Septimus Heap Series by Angie Sage


        This series was another one that I followed for years, waiting eagerly for each new book and in most cases getting it the day it came out. I've heard this series called a rip-off of Harry Potter before, and while it definitely did capitalize on the popularity of magic at the time, I don't think it can be called a rip-off. I loved this series, and I really felt like I was growing up alongside the characters (which, in a way, I was). Something I loved about this series (and the Artemis Fowl books) is that as the series goes on and the fanbase grows older along with the characters, the books gradually become darker, for lack of a better word. What I mean by this is that the stories get more intense, the stakes get higher, the characters more complicated. This is something I absolutely love in series, because not only does it hold the readers' attention as they get older and prevents the series from becoming too 'childish', but it also really adds depth to the series by representing (to me at least) the way the characters are also growing up and realizing people are complex and the world is often more than just black and white, good and evil. Maybe I'm over-analyzing it, but it's something I really enjoy,
        This series really sent me into a fantasy craze - I don't write much fantasy anymore, but the character-building and the tension of the plot that is so evident in this series still has stuck with me. If you're looking for a series with quite a few good twists and an amazingly rich world populated with fascinating characters, this series would be a great place to start.


         Of course, this isn't all of my favourite childhood book series (not by a long shot), but for the sake of time and how late this post already is, I'll save some for a future post and end here. I hope you enjoyed; leave a comment telling me about some of your favourite books or series and if I haven't read them yet I will and maybe review them here!

    Thursday 21 April 2016

    Anything You Say or Do Can and Will Be Used in a Novel

        I don't post on this blog nearly as often as I should, or nearly as often as I sometimes want to. Perhaps it's procrastination, perhaps it's just a lack of time, but one thing I think that stops me is an obsession with perfection. I want every post to be perfect, professional, and seem like something you'd see in Time or some other magazine where professional people with professional editors turn out articles for thousands or millions to read, not something a scatterbrained author cobbled together in an hour or two and stuck on the Internet. So I don't always post things I think of, the things I want to, because some of my thoughts seem so ridiculous I can't figure out a way to polish them up and make them professional.
        And I've decided that's just fine. Almost never do I find an idea wearing a business suit and holding flowers when it arrives, and sometimes I fix it up before I send it on its way, and sometimes it'll head out of my head into the world the same way it came in - in a hoodie and baggy jeans, but hopefully with more spring in its step and a better attitude. There's plenty of time to fancy up ideas when it comes to publishing a book; here on the blog, you can expect more hoodies and slouchy hats than suits and ties.
        All of this is leading up to, of course, a stream-of-consciousness-style blog post that will hopefully become something intelligible.

    Anything You Say or Do Can and Will Be Used in a Novel 

    Hoodie sold at shirtskills.com


        Today's topic is something that popped into my head as I sat on the back deck of my house the other day, watching the clouds go by and typing methodically away on my current work-in-progress novel. I've been trying for a while to come up with a really good explanation of how I create my characters, because it's the most common question I get when I tell people I write, and this is what appeared in my head: 'a really good character isn't your creation. They're your best friend'.
    What I mean by that is that you have to let your characters take on their own lives and become what they want to be - oftentimes they do it on their own, but the most important thing to do is to allow them that freedom. More than once I've had a character who will not do what I need them to do, and I'm sure that's a common problem. But when you shove said character back into their tiny little box and continue on like they aren't screaming to be something else, the story starts feeling rigid and wooden, and that character especially becomes forced and lifeless.
        The best way I can describe it is with an example from my own life, from my tenth grade English class. We were tasked with picking a few pages of Shakespeare's The Tempest and acting them out in pre-assigned groups in front of our peers. A lot of our peers. Word spread, and anyone who could weasel their way out of class that period was planning to come. I mentioned that the groups were pre-assigned, because I think it's an important point. My group consisted of me, a quiet Chinese girl who became our costume designer, and two guys from the Varsity hockey team. I was the director and one of the actors, and the two hockey players (I'll call them Dan and Steve here) were our other two actors. We decided on doing the scene when Trinculo and Stephano (the drunken jester and butler) meet the monster Caliban. Between our honestly mediocre drunk impressions and the sheer fact that we had to memorize our lines, it was an interesting experience. Poor Steve did not want to be Caliban, but I wasn't about to do it and Dan was determined to be Stephano, so he was stuck. Our costume designer forced him into fluffy blue monster-feet slippers and matching monster-hand mittens, and I forced him to hold still while I painted his face Smurf-blue with cotton balls and a sub-par compact of costume makeup I had from a Brainy Smurf costume I wore in the eight grade. Between the embarrassment of that and the fact that Steve's first language wasn't English and he struggled to memorize his lines, our Caliban wasn't the best. He was awkward at best and wooden at worst. Our performance was a bit of a debacle, but luckily we pulled through with a decent grade.
    The metaphor there is, of course, that Steve wasn't meant to be Caliban. He wasn't comfortable with the character, so it didn't work out. The same thing happens if you don't allow your own characters the room to grow and develop and become more than you might have originally planned.
    Circling back to my original point of your characters needing to be your best friends rather than your creations, you need to know them inside-out. Think about your closest friends, and the little quirks and mannerisms they have that someone who doesn't know them as well wouldn't see. I'll use my friend Will as an example. Over the time I've known him, we developed our own little language of gestures and facial expressions that more often than not results in the two of us falling down laughing while the rest of the people around us try to figure out what exactly is wrong with us. But it's that sort of observation that I think is really beneficial for a writer. I notice the little facial expressions Will makes and I can understand more than just the basics of what he says based on that - for example, one of his hobbies is making eye contact with me when I'm trying to talk to someone, especially if its an important conversation, and just quirking one of his eyebrows and smirking, because he knows it will make me laugh every time for absolutely no reason. But the point is, now that I've noticed it, it's become one of his distinguishing features in my mind.
        What I'm saying is, sometimes you have to be a little creepy. Watch people, observe your friends, and learn their little quirks and mannerisms. I actually have a file on my phone where I list the little habits I notice people have - hair twirling, nail-biting, playing with a necklace when they're nervous or thinking - and store them away to give to a character. It's easy to think of some of them, such as nail-biting and other common habits, but others - the really unique ones that are worth mentioning often in a story - can only really be come up with by observation.
        The most important thing to know about your character is their core identity - I call these the 'Remember Statements' (idea shamelessly stolen from Maggie Stiefvater's post about how she creates characters), which basically sums up what their primary motivation is. I find these incredibly helpful in my writing process, because when you lose sight of a character's motivation and they begin to feel listless, these instantly snap you back into their head. But that's only a small part of who they're going to grow to be over the course of your story. And this is where the best friend concept comes back into play - for your major characters at least, write down everything you can think of that's relevant to them, even if it will never be mentioned in the story. It might be relevant to their backstory, or it might just be a random little detail that is entirely insignificant. But the reasoning behind this is that it makes the character feel more real to you, and if they feel real to you, they'll feel real to your readers. Little details like a favourite stuffed animal they still keep on their bed, or the way they prefer to dress, and other things like that make your characters feel more fleshed-out - not to mention they'll come in handy for set and costume design if your book ever becomes a movie!
       Of course, it's imperative that you don't get hung up on these little details. The point is that you know them - not every single one has to make it into the final cut of your novel. Some of them will probably worm their way in, and that's by no means a bad thing, but make sure you don't become obsessed with cramming every tiny detail you can think of into your novel - it'll disrupt the action, and your fans won't have anything to come up with on their own.
       So overall, sometimes, to be a writer, you have to be a little creepy. Observe your friends, your family, and even just random people when you're out and about. No detail is too small; write them all down, and even if you never mention them, your characters will seem all the more real to you and your readers.

    Friday 1 April 2016

    March Book Review: Cuckoo Song by Francis Hardinge

    When Triss wakes up after an accident, she knows something is very wrong. She is insatiably hungry, her sister seems scared of her, and her parents whisper behind closed doors. She looks through her diary to try to remember, but the pages have been ripped out. Soon Triss discovers that what happened to her is more strange and terrible than she could ever have imagined, and that she is quite literally not herself. In a quest to find the truth she must travel into the terrifying underbelly of the city to meet a twisted architect who has dark designs on her family—before it’s too late . . .

    Set in England after World War I, this is a brilliantly creepy but ultimately loving story of the relationship between two sisters who have to band together against a world where nothing is as it seems.



  • Hardcover: 416 pages
  • Publisher: Harry N. Abrams (May 12 2015)
  • Language: English
  • Amazon rating: 4.5/5 stars
  • Goodreads rating: 4/5 stars

  •     This novel was on my TBR list for quite a while before I finally picked up a copy. I read almost the entire novel over the span of a few days, and it never fell flat or failed to hold my interest. The plot itself is masterfully woven, the characters complex and fascinating, and the setting richly imagined and beautifully described.
        It's extremely difficult to describe this plot without spoiling anything. I will say, however, that I found chilling, immensely original, and masterfully layered. Nothing is exactly as it seems in this novel, and I found myself as shocked as the characters at each new turn, struggling to accept each new revelation. The story races to a heart-pounding conclusion that is exciting, but seems at the same time satisfactory and even inevitable.
        The characters are also ingeniously written. I found Triss, the main character, immensely relatable despite her peculiarities, and even the antagonists are deeply layered and relatable. Every character in this novel has their own complex motivations, some less obvious than others, and this makes each character relatable and understandable in their own way. I found myself empathizing immensely with many of the antagonists, as many of them are only trying to protect themselves and those they care about from a perceived threat. Hardinge makes it very easy to see Triss from these antagonists' perspectives, and despite relating too and loving Triss, the antagonists' motivations for her destruction were equally understandable, and truly heartbreaking. Pen, Triss's sister, is one of the most fascinating and complex characters in this novel, and her emotional and character development throughout the novel is one of the best I've read in recent memory.
        The setting was one of my favourite things about this novel. Sadly, it is difficult to describe fully without spoiling, as it factors so wonderfully into the plot. The novel is set in post-WW1 England, and has a bit of a steampunk vibe to it. The architecture is beautifully described, and the supernatural underworld much of the story revolves around is original and fascinating.
        Overall, this is a wonderful and thrilling story. It's a bit dark and chilling at times, so I'd recommend it for a slightly older reader, perhaps 13 or older. But if you like original, exciting, and complicated plots with a lot of twists and a healthy dose of creepiness, this would be a good book for you.
        4.5/5 stars!



  • Wednesday 2 March 2016

    February 2016 Book Review: Eon by Alison Goodman

    Note: This book is also known as Eon: Dragoneye Reborn, Two Pearls of Wisdom, or Eon: Rise of the Dragoneye

    Back-Cover Blurb (from Amazon):
    Sixteen-year-old Eon has a dream, and a mission. For years, he's been studying sword-work and magic, toward one end. He and his master hope that he will be chosen as a Dragoneye-an apprentice to one of the twelve energy dragons of good fortune.
    But Eon has a dangerous secret. He is actually Eona, a sixteen-year-old girl who has been masquerading as a twelve-year-old boy. Females are forbidden to use Dragon Magic; if anyone discovers she has been hiding in plain sight, her death is assured.
    When Eon's secret threatens to come to light, she and her allies are plunged into grave danger and a deadly struggle for the Imperial throne. Eon must find the strength and inner power to battle those who want to take her magic...and her life.

    Goodreads rating: 3.99/5 stars
    Amazon rating: 4.1/5 stars

    World
    I absolutely love the world this book is set in. It's extremely detailed and believable, not to mention fascinating and very fresh. It's based on Chinese and Japanese culture, as opposed to the European style commonly seen in fantasy books, which was really interesting and, in my opinion, very well done. I don't pretend to be an expert on either of these cultures, so I can't really speak for the authenticity or accuracy of the portrayal, but I can say that Goodman has created an incredible world in this novel. The range of different cultures and the depth of the history surrounding the world is incredible, and really adds to the story and it's intrigue.

    Characters
    I really liked the characters in this novel. Many of them are very complex and it takes a long time to fully understand their real personalities and motivations, which is something I really enjoyed. Eon/Eona, the main character, is the primary example of this. Even beyond her double identity, her past is complicated. It's difficult to really discuss Eona without spoiling anything, but I will say that not everything (in fact almost nothing) is exactly as it seems for her, and the twists will shock you as much as they do the other characters.
    Lord Ido, the antagonist of the book, is also very similar to Eona. He too is a very complex character, with complicated motivations. He is one of the few villains I've read, and one of the only in recent memory, that actually made me shudder. He is menacing and, for lack of a better word, creepy. I found him a fascinating villain, and extremely well-written.
    There are more characters that I loved, of course. Rilla and Chart, Lady Dela, Ryko, and even more vibrant, complex characters populate the world Eona lives in, but I risk spoiling the story with every word I write, and I don't want to take the risk of doing that.

    Plot
    As I've said before, it's almost impossible to discuss the plot of this book without spoilers, and I don't want to ruin a wonderful story for anyone. I will say, however, that the twists in this plot make it quite the roller coaster ride, and this only intensifies in the second book, Eona.

    Overall
    I really enjoyed this book. I picked it up randomly in the store and very quickly got sucked into the complexity of the world. It's a fresh, exciting take on dragon stories, and the complexity of the characters and plot mean the pace rarely falls flat.
    I'd recommend this book for anyone above the age of thirteen. Some people may be alright with it at a younger or older age, but the book delves into some very complex, sometimes dark themes.

    5/5 stars
     

    Saturday 23 January 2016

    January 2016 Book Review: The Raven Boys by Maggie Stiefvater


    Cover Blurb:
    Legend holds that Glendower, a vanished Welsh king, sleeps beneath the hills until he's needed. The first person to find him will be granted a wish—either by seeing him open his eyes, or by cutting out his heart.
    Gansey has it all—family money, a car, time for extracurriculars and friends—but he's always loved the tales of sleeping kings. He thinks he's found one, too, or at least the area where one might be: in the town of Henrietta, Virginia. And the best way to be there is to attend the prestigious Aglionby Academy for Boys.
    Blue is the daughter of the town psychic in Henrietta, Virginia, but is too practical to believe in things like spirits or true love. Her policy is to stay away from Aglionby boys...but it may be that one in particular can change her mind about magic, and maybe even love.

    I don't know why I haven't reviewed this book. It's one of the most interesting paranormal, mythology-based series I've ever read, and it definitely has some of the most interesting and complex characters I've read in a long time. It's definitely worth the read, and the rest of the series doesn't disappoint.

    Characters:
    I say it almost every review I write, but I absolutely adore realistic, unique characters, and the characters Stiefvater creates here are some of the most realistic, original, and unique characters I've ever read. It reminds me of when I was young and related so strongly to characters in books that it felt like I really knew them. 
    Blue, the main character, is one of the most unique protagonists I've read. She is definitely "not like other girls", but without falling very much into the trap of being a "special snowflake", She's the only non-psychic in a house full of them, and because of this she feels a pressure to prove herself and make herself 'special' - so she makes herself eccentric, making her own clothes by shredding and layering them. Her policy is to stay away from boys, especially 'Raven Boys' - the boys who attend Aglionby Academy. Naturally, she doesn't keep this policy.
    Gansey, the apparent leader of the Raven Boys, is rich, and struggles with this fact. He constantly battles with the thought that he is nothing but his money. He is obsessed with finding Glendower, because he thinks it will allow him to make a mark on the world - to finally become more than just a spoiled rich boy. He struggles to balance his "President Cell Phone" persona, the person he's expected to be at his prestigious school and with his influential family, with the real him, the scholar obsessed with a mission everyone thinks is insane. He pulls Ronan, Noah, Adam, and eventually Blue into his mission with him and infects them with his enthusiasm and obsession.
    Adam is a student at Aglionby Academy along with Gansey and Ronan. Unlike them, though, Adam doesn't coast through life on his family's money. He lives in a doublewide trailer with abusive father and a mother who can't fight back. He doesn't want to accept Gansey's offer to move into Monmouth Manufacturing because it will mean he's indebted to Gansey. Adam has trouble believing Gansey's stories about Glendower, but he still goes along with him. He is cautiously attracted to Blue, even though their initial meeting was awkward.
    Ronan is the 'tough guy' of the group. He drag races in his BMW, drinks too much, and has very vivid dreams. He got a $900 dollar tattoo just to spite his older brother, Declan, and his grades are the literal least of his concerns. He covers his door in speeding tickets and shrugs off the warnings that he'll be kicked out of school if his grades don't improve. Despite all of this, he attends a Catholic church every Sunday, making an uneasy truce with Declan for the sake of religion and their youngest brother, Matthew. As Calla, one of the psychics who lives with Blue, says, a secret killed Ronan's father, and Ronan knows what it is.
    The final Raven Boy is Noah, a strange boy who jokes about having been dead for seven years. He's by far the strangest and most mysterious of the Raven Boys. He's not always with them, and sometimes he can't be found at all. There's a lot more to Noah that's revealed in this book, but that's too big of a spoiler to reveal here.
    There's more characters, of course; Blue's mother Maura, Maura's best friends Persephone and Calla, and the other psychics who live with them, as well as characters that eventually evolve into antagonists, but for the sake of time and avoiding spoilers, I won't mention them here.
    I have to admit; many of these characters are dislikable, at least at first. And that's exactly why I like them so much. It's difficult to really elaborate on, reviewing only the first book, and it's difficult to see in only the first book, but all of these character change and evolve - some for better and some for worse. But if you look past the first impression, which may paint the characters in an unflattering light, you can see the complexity and depth of them, which is really what made this book for me.
    Plot:
    The plot of this novel is fairly complex, and easily spoiled, so I won't go too in-depth. The novel starts out with Blue and her half-aunt, Neeve, sitting the 'church watch' on Saint Mark's Eve, writing down the names of all the Henrietta residents who will die that year. That's where Blue sees Gansey's spirit - the only spirit she has ever seen. This provides a major tension to the story, as it is now known Gansey will die, but Blue doesn't know why or how. She's even told by Neeve that if she saw his spirit walking the ley line without being a psychic means he's either her true love, or she killed him.
    The plot goes on from here to Blue meeting Gansey and the Raven Boys and getting off on a very wrong foot. Eventually, mostly due to Adam, she agrees to go with the Raven Boys on one of their searches for the ley line, along which Glendower is said to be buried, and is sucked into their quest.
    Of course, that's where things start to get intense and go wrong. I don't want to spoil anything, but I will say this: this book will shock you, surprise you, and impress you all at once. It's definitely worth the read.
     
    Overall, I love this book. I'd recommend it to anyone who's a fan of paranormal and fantasy literature, and especially someone looking for a mythology-based book on a little-known mythology. Two of the three sequels are out, The Dream Thieves and Blue Lily, Lily Blue. The fourth, The Raven King, is coming out this year - and personally, I can't wait.
    5/5 stars!